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K. Schippers : ウィキペディア英語版 | K. Schippers
K. Schippers (the pseudonym of Gerard Stigter) is a Dutch poet, prose writer and art critic. He was born in Amsterdam on 6 November, 1936. Credited with having introduced the readymade as a poetic form, the whole of his work is dedicated to looking at everyday objects and events in a new way.〔Mourits, p.121〕 ==Career== Together with J. Bernlef and other friends, Schippers founded the Neo-Dadaist magazine ''Barbarber'' (1958-71). In the years that followed the launch he co-operated with Bernlef in editing selections from the magazine and, in ''Een cheque voor de tandarts'' (A cheque for the dentist, 1967), in commenting on the ancestry of its literary stance. Another binding link with Bernlef is the fact that in 1960 they married twin sisters, the daughters of the Dutch poet Ed. Hoornik (1910-70). As an art critic, Schippers has also written studies of the history of Dada in the Netherlands (''Holland Dada'', 1974) and of the bride theme in the work of Marcel Duchamp (''De bruid van Marcel Duchamp'', 2010), as well as a writing his own text inspired by the work of Man Ray (''Het formaat van Man Ray'', 1979) and editing the experimental poems of Theo van Doesburg (''Nieuwe woordbeeldingen. Verzamelde gedichten van I.K. Bonset'', 1975). Among the literary awards he has gained have been the 1966 Amsterdam Municipal poetry prize for his second collection of poetry, ''Een klok en profil''; the 1983 Multatuli Prize for his third novel ''Beweegredenen''; the 1995 and 1999 Silver Griffin for his plays for children; and the 1996 P.C. Hooft Award for his work as a whole. After his selected poems of 1980, he published no new collections until 2011. In 2014 his collection ''Buiten Beeld'' was chosen as the gift volume to accompany other poetry purchases during National Poetry Week in the Netherlands and Flanders.〔(Poetry International )〕
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